Desse modo, o ensemble De Organographia De, formado por Philip Neuman e Gayle Stuwe Neuman, apresenta uma experiência verdadeiramente única, num repertório que abrange o período entre os IIIº milênio a. C. e o IVº século d. C. O projeto envolve grande variedade de instrumentos: Aulos (que consiste em dois tubos de madeira, caniço ou osso, abertos nas extremidades e dotados de orifícios e palhetas) , Lyra (Lira), kithara (a lira ornamentada do músico profissional), siringe (flauta de pã), siringe monokalamos (flauta vertical), trichordon ( pequeno alaúde de três cordas), psythirã (chocalho), tympanon (tambor), kymbala (pratos) e salpinx (trompete), entre outros.
02 – Lament – Anon. (2nd or 3rd C. AD)
03 – Fragment 1 – Anon. (2nd C. AD)
04 – Paean – Anon. (3rd or 4th C. AD)
05 – Trochaic Fragment – Anon. (3rd C. AD)
06 – Four Settings from Menander s Epitrepontes – Anon. (3rd C. AD)
07 – Excerpts mentioning Eros and Aphrodite – Anon. (2nd or 3rd C. AD)
08 – Musical excerpt – Anon. (3rd C. AD)
09 – Hypolydian excerpt – Anon. (2nd or 3rd C. AD)
10 – Fragment 3 – Anon. (3rd C. AD)
Sumero-Babylonian
11 – A Zaluzi to the Gods – Anon. (c. 1225 BC)
12 – Hurrian Hymns 19, 23 – Anon. (c.1225 BC)
13 – Hurrian Hymns 13, 12 – Urhiya-Anon. (c. 1225 BC)
14 – Hurrian Hymn 2 – Anon. (c. 1225 BC)
15 – Hurrian Hymn 8 – Urhiya (c. 1225 BC)
16 – Hurrian Hymn 5 – Puhiya(na) (c. 1225 BC)
17 – Hurrian Hymn 4, 21, 22 – Anon. (c. 1225 BC)
18 – Hurrian Hymn 7, 10 – Anon. (c. 1225 BC)
19 – Hurrian Hymn 16, 30 – Anon. (c. 1225 BC)
20 – Musical Instructions for Lipit-Ištar, King of Justice (c. 1950 BC)
Egyptian Music
21 – Trumpet Call, after Plutarchl – Anon Plutarch
22 – Isis Sistrum Rhythm – Anon Apuleius
23 – Theban banquet scene – Anon. (14th C. BC)
24 – Harp Piece (A) – Anon. (7th or 6th C. BC)
25 – Harp Piece (B) – Anon. (7th or 6th C. BC)
02 – Lament
04 – Paean
11 – A Zaluzi to the Gods – Anon.
23 – Theban banquet scene – Anon.
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